by Maryse Condé ‧ RELEASE DATE: Sept. 7, 1992
An impressionistic saga from CondÇ (see above)—the story of a Caribbean family whose history is as much their own as it is their native island's. When the narrator's forebear, Albert Louis, decides to go to Panama to make his fortune building the canal rather than stay at home cutting sugar like all his fellow blacks, he begins the ascendancy of the Louis family—a family that over the years will be divided by color (not just black and white but all the shades in between), money, and politics. In Panama, Albert finds money but not a fortune, encounters racial prejudice, learns about Marcus Garvey, and marries a Jamaican who dies giving birth to son Bert. Back home in Guadeloupe, the embittered father prospers in business but is disliked for his meanness and surly disposition. A second marriage follows, and the narrator's grandfather, the ugly but hard-working Jacob, is born. Births and deaths occur at a clip; the dead advise the living in dreams; and characters travel to New York, where more is learned of Garvey and black politics, and to France, where Bert, disowned because of his marriage to a white woman, commits suicide. Then on to Bert's niece, Jacob's daughter, pampered and indulged ThÇcla, who moves to France pregnant with the narrator, whom she leaves with a white family. Abandoned by her black lover, ThÇcla marries a white doctor, takes a side trip to New York, where she has an affair with a Malcolm X follower; goes to Jamaica, this time with daughter and new lover in tow; and then finally returns to her white husband in Paris, leaving daughter with grandfather and the obligation to tell ``the story of very ordinary people who in their own way had nonetheless made blood flow.'' Vivid writing, and certainly wide-ranging, though sometimes the fast pace leads to skimping on the plot. Still, a very readable story of an unfamiliar territory.
Pub Date: Sept. 7, 1992
ISBN: 0-345-36074-5
Page Count: 384
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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