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WHO SLASHED CELANIRE’S THROAT?

Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken...

Human sacrifice, never a good thing, wreaks spectacular havoc in the author’s latest Caribbean gothic.

In the 1880s, an infant is found on Guadeloupe with its throat slit, not an isolated phenomenon on this isle where the demons cultivated for personal and political gain prefer babies as sacrificial victims. Kindly but debauched Dr. Jean Pinceau (aping his hero, Dr. Frankenstein) reattaches Celanire’s head and adopts her. After goading her adoptive mother fatally into the jaws of a mysterious black dog, Celanire attempts to seduce Pinceau, who is wrongfully convicted of child rape and exiled to the penal colony of French Guiana. And that’s just her first ten years. Entrusted to nuns, Celanire is educated in France and travels as a missionary to colonial Ivory Coast. A beauty whose swan neck is never without scarf, necklace, or ribbon, Celanire captivates both sexes as she sets about revamping a home for illegitimate children, turning it into an elite academy by day, salon/bordello by night. Anyone who resists her charisma, like the hapless homosexual Hakim, is doomed, as is anyone she finds inconvenient. On the surface, Celanire is an envoy of civilization who cultivates elaborate gardens and rails against female circumcision and oppression of women. Wrested back from sacrifice, she’s the double-agent of the unpropitiated demon-gods. Her acts serve twin mandates: to avenge herself on everyone connected to the sacrifice, and to discover her true parentage. The action spans four tropical climes: Africa, Guiana, Guadeloupe (where the former foundling returns in grim triumph as the governor’s wife), and Peru, where an exorcism of sorts occurs. The body count mounts as do Celanire’s shape-shifting forms—large mastiffs, a stallion, a raptor bird, and—a waitress? Condé (Tales From the Heart, 2001,etc) sets herself a fearsome challenge: an implacable trickster can hardly engage our sympathy, despite her cultivated veneer.

Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken irony.

Pub Date: Aug. 18, 2004

ISBN: 0-7434-8260-3

Page Count: 224

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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