Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken...
Human sacrifice, never a good thing, wreaks spectacular havoc in the author’s latest Caribbean gothic.
In the 1880s, an infant is found on Guadeloupe with its throat slit, not an isolated phenomenon on this isle where the demons cultivated for personal and political gain prefer babies as sacrificial victims. Kindly but debauched Dr. Jean Pinceau (aping his hero, Dr. Frankenstein) reattaches Celanire’s head and adopts her. After goading her adoptive mother fatally into the jaws of a mysterious black dog, Celanire attempts to seduce Pinceau, who is wrongfully convicted of child rape and exiled to the penal colony of French Guiana. And that’s just her first ten years. Entrusted to nuns, Celanire is educated in France and travels as a missionary to colonial Ivory Coast. A beauty whose swan neck is never without scarf, necklace, or ribbon, Celanire captivates both sexes as she sets about revamping a home for illegitimate children, turning it into an elite academy by day, salon/bordello by night. Anyone who resists her charisma, like the hapless homosexual Hakim, is doomed, as is anyone she finds inconvenient. On the surface, Celanire is an envoy of civilization who cultivates elaborate gardens and rails against female circumcision and oppression of women. Wrested back from sacrifice, she’s the double-agent of the unpropitiated demon-gods. Her acts serve twin mandates: to avenge herself on everyone connected to the sacrifice, and to discover her true parentage. The action spans four tropical climes: Africa, Guiana, Guadeloupe (where the former foundling returns in grim triumph as the governor’s wife), and Peru, where an exorcism of sorts occurs. The body count mounts as do Celanire’s shape-shifting forms—large mastiffs, a stallion, a raptor bird, and—a waitress? Condé (Tales From the Heart, 2001,etc) sets herself a fearsome challenge: an implacable trickster can hardly engage our sympathy, despite her cultivated veneer.
Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken irony.Pub Date: Aug. 18, 2004
ISBN: 0-7434-8260-3
Page Count: 224
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
IN THE NEWS
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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