A rich, beautiful, and utterly terrifying book.
This collection of horror stories about men at their lowest—enraged, depressed, violent—offers an unsettling glimpse into the seething underworld of toxic masculinity.
Meijer's (Northwood, 2018, etc.) firecracker debut collection, Heartbreaker, examined the wild, strange interior lives of girls and women. In this book, she strikes out into new territory, unearthing the anger and melancholy of male protagonists who revel in their own cruelty, power, and loneliness. Like Samantha Hunt and Carmen Maria Machado, Meijer wields strangeness to amplify the emotional realities of her narrators—and the consequences of their deranged, inhumane, and violent impulses. Her characters operate in worlds like our own, lusting after their customers at a local pizza shop or denying feelings they have for other men. But they are also vengeful ghosts of stillborn baby boys, rags used to murder wives, and dogs who steal the lace underthings of teenage girls. In "Pool," a teacher falls for the student lifeguard who saves his life only to reject the boy's affections. The detective in "Evidence" tracks a female serial killer but ultimately unearths his desire to become one of her victims. Other stories, like "Francis" and "Good Girls," literalize metaphors about the animalistic urges of men. But Meijer saves the scariest of all for "Viral," in which her lone female protagonist tapes and distributes a video of her former friend masturbating as an act of humiliation and revenge. "I'm in the car waiting for my boyfriend to kill her," the story opens. "She is pretty and very smart and she didn't want to go out with him and sometimes it's as simple as that. She screwed up." While at times her narrators can seem almost excessively cruel, Meijer's stories are an indictment of the indignities women—and other men—face every day as they dodge or appease the dangerous impulses and appetites of misogyny.
A rich, beautiful, and utterly terrifying book.Pub Date: Feb. 12, 2019
ISBN: 978-0-374-24623-5
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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