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A DUPATTA IS . . .

A lyrical, multisensory celebration of a South Asian garment.

A dupatta contains multitudes.

A child with light brown skin and short hair admires a dupatta, an oversized scarf worn throughout the South Asian subcontinent and beyond. While the narrator first refers to the dupatta as “fabric,” they are quick to add that it is also so much more. A dupatta is a “swooshing, swashing” sound; it is the scent of spices and incense. A dupatta can serve many purposes, including providing protection from rain and wind, veiling a person’s face, and even rocking a baby to sleep. In the hands of a child, a dupatta can be a plaything. But whether it is from Quetta or Kashmir, whether worn in weddings or during political speeches, whether used for blanket forts or prayer, and whether embellished with “beads, lace,” or “sequins,” above all, “a dupatta is identity.” Very similar in form to Kevin Noble Maillard’s Fry Bread (2019), illustrated by Juana Martinez-Neal, this rhythmic description of a dupatta’s importance in a South Asian Muslim family is an affectionate homage. Vibrant illustrations feature large-eyed individuals with a variety of skin tones, though only female-presenting characters are shown actually wearing a dupatta. Some metaphors feel like a stretch, but generally, the book’s warm, well-chosen language depicts a joyful, accurate representation of a dupatta’s multigenerational importance in family life. (This book was reviewed digitally.) 

A lyrical, multisensory celebration of a South Asian garment. (more information on the dupatta, glossary) (Picture book. 3-6)

Pub Date: April 11, 2023

ISBN: 9781250820945

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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AN ABC OF EQUALITY

Adults will do better skipping the book and talking with their children.

Social-equity themes are presented to children in ABC format.

Terms related to intersectional inequality, such as “class,” “gender,” “privilege,” “oppression,” “race,” and “sex,” as well as other topics important to social justice such as “feminism,” “human being,” “immigration,” “justice,” “kindness,” “multicultural,” “transgender,” “understanding,” and “value” are named and explained. There are 26 in all, one for each letter of the alphabet. Colorful two-page spreads with kid-friendly illustrations present each term. First the term is described: “Belief is when you are confident something exists even if you can’t see it. Lots of different beliefs fill the world, and no single belief is right for everyone.” On the facing page it concludes: “B is for BELIEF / Everyone has different beliefs.” It is hard to see who the intended audience for this little board book is. Babies and toddlers are busy learning the names for their body parts, familiar objects around them, and perhaps some basic feelings like happy, hungry, and sad; slightly older preschoolers will probably be bewildered by explanations such as: “A value is an expression of how to live a belief. A value can serve as a guide for how you behave around other human beings. / V is for VALUE / Live your beliefs out loud.”

Adults will do better skipping the book and talking with their children. (Board book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-78603-742-8

Page Count: 52

Publisher: Frances Lincoln

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THE BOY WHO SAID WOW

A heartwarming testament to music’s emotional power.

Music moves a nonverbal child to speak.

The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.

A heartwarming testament to music’s emotional power. (Picture book. 4-6)

Pub Date: April 2, 2024

ISBN: 9781534499713

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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