Thoughtfully written but emotionally distant and overly cerebral.
Hamilton (Staircase of a Thousand Steps, 2003) tracks an American journalist in the Middle East.
Outside Beirut, on the way to interview a Lebanese crime kingpin with terrorist ties, reporter Caddie Blair survives an ambush that kills British photographer Marcus. Recovering in a dingy hospital, Caddie realizes that she has no one to notify. Marcus was her lover; her grandmother and mother are long dead, and she has few friends in Jerusalem, where she lives. If she ever had a home, it was with Marcus—he’d understood her passion for her work, and she’d admired his: he’d had an uncommon talent for capturing moments that defined the grinding conflict between Israel and the countries that surround it. But his fame was no protection against his fate—and his unknown murderers will go unpunished. Desiring a revenge she can’t take, Caddie plunges back into reporting, maintaining a careful distance, yet drawn to scenes of violence as she reflects on Marcus’s meaningless death, her parents’ long-ago abandonment of her, and her own taste for life on the razor’s edge. Fluent in Arabic, she talks to a Palestinian woman seeking treatment for her mortally injured daughter, knowing that the woman’s young son built the bomb that burned his little sister to the bone. Before the doctors realize that Caddie is American, she learns the hideous truth: there isn’t enough morphine to go around and not enough penicillin. In a restless quest to get a story—any story—she interviews Moshe Bar Lev, a militant settler. A firebomb destroys the bus they’re riding, and the settlers retaliate with gunfire, hoping to kill as many Arabs as possible. All in a day’s work . . . . Moshe returns home to dinner with his family and Caddie tags along. There’s no peace to be found—though she does find love again with a fellow journalist, himself a survivor of tragic violence.
Thoughtfully written but emotionally distant and overly cerebral.Pub Date: Nov. 20, 2004
ISBN: 1-932961-02-X
Page Count: 304
Publisher: Unbridled Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2004
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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