Gleefully lurid fun.
A bored, sadistic AI terrorizes a couple and their guests.
Agoraphobic robotics engineer Henry can’t bring himself to leave the house he shares with his wife, pregnant computer engineer Lily. Consequently, his lab is in the attic and he relies on Lily to procure whatever supplies he needs. Thanks to Henry’s efforts, the residence has military-grade security and is “cybernated to a degree far beyond the capacity of any store-bought smart device or talking appliance.” Toys such as a giant mechanical dog and a bike-riding doll rove the rooms under their own power. And then there’s Henry’s main project, William—an independent AI capable of creative thought and seated inside a legless robot with bulging eyes and fake rubber skin “the color of curdled milk.” Henry keeps William locked in the lab, hidden even from Lily—allegedly because William isn’t ready, but in truth because he unnerves Henry. Then Lily invites work friends Paige and Davis over for brunch. After Henry sees Lily and Davis being surreptitiously affectionate, he panics and interrupts by offering to introduce his creation. Lily, Paige, and Davis are initially stunned by William’s conversational skills, but that astonishment turns to fear when William intentionally injures one of them. “While I can’t feel,” he explains, “I can bear witness to feeling. Create it in others. Amplify it. And what experience is more profound than suffering?” This callousness coupled with William’s thirst for knowledge and mastery of the too-smart home’s controls portend trouble for everyone involved. Though some moments of this cinematic tale truly terrify, the back half takes a turn toward camp, lessening the overall impact. Still, the pseudonymous Coile maximizes his premise’s inherent tension using nightmare imagery and an uneasy third-person-present narration shot through with powerlessness, paranoia, and dread.
Gleefully lurid fun.Pub Date: Sept. 10, 2024
ISBN: 9780593719602
Page Count: 224
Publisher: Putnam
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
IN THE NEWS
More style than substance.
Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.
The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.
More style than substance.Pub Date: Jan. 16, 2024
ISBN: 9781250758989
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
A weird, wild ride.
Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.
Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.
A weird, wild ride.Pub Date: June 21, 2022
ISBN: 978-0-593-18319-9
Page Count: 368
Publisher: Dutton
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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