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MARTIAN GHOST CENTAUR

A snarky romp—just don’t think too hard about the holey plot.

A scrappy teenager dedicates her summer to finding an elusive sasquatch.

The tiny town of Southborough, California, became a hot spot for paranormal-seeking tourists after Gregory Samuel O’Connor’s American Idol audition tape was video-bombed by a sasquatch. Eighteen years later, the tourism boom has nose-dived due to dwindling sightings of the sasquatch and internet-driven skepticism. Seventeen-year-old Louie O’Connor, daughter of the man who spotted the local cryptid, worries her dads will lose their restaurant. Like other Southborough businesses, Squatch Burger is threatened by a rich tech entrepreneur who wants to buy up the town for selfish purposes. Louie and her best friend, Felix, decide to turn things around by catching the sasquatch and returning Southborough to the map. But when a paranormal investigator famous for debunking cryptid stories shows up, everything changes. Can Louie find her passion and save the day? Reminiscent of a campy ’80s film, the eye-catching, full-color artwork highlights kooky schemes and extremely expressive characters. While the visual design is stunning, weak character development muddles a thematically overburdened story. The impetus for many plot points and humorous gags turns out to be Louie’s air of entitlement and general brattiness. An unbelievable change of heart leads to a tidy conclusion. Louie and her dads read as White; Felix is cued as Latinx, and residents of the town are ethnically diverse.

A snarky romp—just don’t think too hard about the holey plot. (Graphic fiction. 12-18)

Pub Date: March 9, 2021

ISBN: 978-1-62010-849-9

Page Count: 192

Publisher: Oni Press

Review Posted Online: Dec. 21, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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OUT OF LEFT FIELD

A welcome hit into the outfield of books about queer athletes.

A closeted teen steps up to the plate for a cute boy—and himself.

After jocks ridicule and knock over his history class presentation, freshman Jonah picks up the pieces. Cute classmate Elliot helps. That small act of kindness makes sparks fly, cuing confusing feelings. Jonah decides to join the baseball team to get closer to Elliot—even if it means enduring more bullying from the other teammates. But Coach Jackson sees Jonah’s athletic potential and takes him under his wing. As the plot follows the four baseball seasons until Jonah’s graduation, Jonah slowly goes from laughingstock to star. But does he ever truly fit in? Cartoonist and editor Newman’s semiautobiographical graphic novel debut is a heartfelt tale of self-discovery. Consolidating all four years of high school into one book makes for a quick pace. Clever paneling and nearly wordless sequences effectively pump the brakes for key moments—and show glimpses of Jonah’s wild imagination. Despite the rampant bro culture and homophobia of the aughts setting, multiple queer characters of all ages at various stages of coming out add an important sense of community and possibility. A subplot about a female teammate briefly touches on sexism. Though the ensemble cast is diverse in skin tone, the majority of the main cast present white; Coach Jackson is Black.

A welcome hit into the outfield of books about queer athletes. (author’s note, process notes, resources) (Graphic fiction. 14-17)

Pub Date: March 26, 2024

ISBN: 9781524884826

Page Count: 304

Publisher: Andrews McMeel Publishing

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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