by Mat Thorne ‧ RELEASE DATE: Feb. 22, 2021
A genre-blending novel of absurdist comedy.
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A dissolute tabloid reporter partners with a photographer to prove the existence of a homicidal monster in this SF novel.
Thorne’s tale revels in its pop-culture inspirations, including the tropes of film noir. This is evident in the opening chapter, as Buck Vincent, a jaded scribe for TheMidnight Extratabloid who writes most of his articles “at the bar,” comes under fire from his publisher, Janet Lane. In a clever reversal of the classic entrance of the femme fatale to the grizzled private eye’s office, Thorne has his washed-up antihero shamble into his boss’s office, where she gives him one final chance to redeem himself—by partnering with photographer Betty Roy to produce “quality” tabloid material. Buck and Betty visit Mrs. Vivet, who claims she saw a hellhound; the pair are skeptical because the woman also offers them a tray of full of pictures of cookies that “took ages” to bake. Later, as Buck and Betty watch Mrs. Vivet’s corpse being taken from her home—ramping up a mystery—a fellow Midnight Extrareporter dressed as Elvis entertains some of the policemen. Overall, Thorne does an admirable job combining elements of multiple genres, and as the previous summary indicates, the novel also offers an abundance of humor. Like characters in a buddy-cop film, Buck and Betty engage in sharp-witted banter almost immediately after meeting. Before they get a lead on an alleged sighting of the aforementioned hellhound, for instance, they walk past framed covers of old editions of the paper; Betty notes, “I don’t see you on any recent ones.” Buck replies, “It’s been a rough year.” Betty: “The last one was from like a decade ago.” Buck: “Well then it’s been a rough decade.”
A genre-blending novel of absurdist comedy.Pub Date: Feb. 22, 2021
ISBN: 978-1-73-616820-2
Page Count: 236
Publisher: Terlion Books
Review Posted Online: Dec. 9, 2021
Kirkus Reviews Issue: Feb. 1, 2022
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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