It’s an odd and very European tale, and a very brave one. (Picture book. 7-12)
Downtrodden Daisy imagines a much less restricted life for herself in amusing and ultimately hopeful ways.
She’s down the apartment stairs at the front door. There’s a letter for her on the doormat. A hectoring voice from above harangues her about doing this and not doing that. On each successive spread is a formal letter, and each letter tells readers a little more about Daisy and a lot about the strength of her imagination. Batisto Giovanni Prospero Carlotti wants her to join his circus, as her balance while washing windows enchants him. A sheik proposes marriage. Sir Hubert Tatter Tawdry-Tout admits she was accidentally switched at birth, and the queen herself will come to bring her to the palace. A group of aliens are taken with her sweet singing voice, and their letter inviting her to come to their planet and sing to them is done in pictures. Each of the letters is fulsomely illustrated with rich detail and rubbery figures; Mel Glitzstein’s invitation for Daisy to star in Wrath of the Mummy waggishly depicts an Indiana Jones–type escape with a Peter Jackson/Martin Scorsese–ish director calling the shots. In the end, clutching the still-unopened missive in her hand, she goes off without her coat or her bag or any of her mother’s vitriol.
It’s an odd and very European tale, and a very brave one. (Picture book. 7-12)Pub Date: Oct. 1, 2012
ISBN: 978-1-935954-18-7
Page Count: 32
Publisher: Lemniscaat USA
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Funny and endearing, though incomplete characterizations provoke questions.
An isolated class of misfits and a teacher on the edge of retirement are paired together for a year of (supposed) failure.
Zachary Kermit, a 55-year-old teacher, has been haunted for the last 27 years by a student cheating scandal that has earned him the derision of his colleagues and killed his teaching spirit. So when he is assigned to teach the Self-Contained Special Eighth-Grade Class—a dumping ground for “the Unteachables,” students with “behavior issues, learning problems, juvenile delinquents”—he is unfazed, as he is only a year away from early retirement. His relationship with his seven students—diverse in temperament, circumstance, and ability—will be one of “uncomfortable roommates” until June. But when Mr. Kermit unexpectedly stands up for a student, the kids of SCS-8 notice his sense of “justice and fairness.” Mr. Kermit finds he may even care a little about them, and they start to care back in their own way, turning a corner and bringing along a few ghosts from Mr. Kermit’s past. Writing in the alternating voices of Mr. Kermit, most of his students, and two administrators, Korman spins a narrative of redemption and belief in exceeding self-expectations. Naming conventions indicate characters of different ethnic backgrounds, but the book subscribes to a white default. The two students who do not narrate may be students of color, and their characterizations subtly—though arguably inadequately—demonstrate the danger of preconceptions.
Funny and endearing, though incomplete characterizations provoke questions. (Fiction. 8-12)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-256388-0
Page Count: 288
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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