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OTTO TATTERCOAT AND THE FOREST OF LOST THINGS

Both charming and wise.

When Otto’s mother disappears shortly after the pair arrives in Hodeldorf—“the coldest city in the world”—Otto meets an orphaned girl named Nim, and a series of adventures ensues.

The book evokes the worlds of Roald Dahl, Neil Gaiman, and traditional fairy tales. The third-person narrative meanders gracefully among the points of view of an omniscient narrator, Otto, and Nim. Naïve, kindhearted Otto is easily duped into servitude in the boot-polish factory of villainous Frau Ferber. Nim, motivated by guilt from an earlier encounter with Otto, manages to rescue him—and Otto expands his goal of finding his mother to rescuing all of Frau Ferber’s child labor force. Nim helps Otto join the tattercoats, a band of homeless children with a strict code of honor. Two of its five rules state that they must steal only what they need and that no one may possess more than one coat—despite the atrocious cold that forces them to sleep near people’s chimneys. Other than two brief, death-from-freezing descriptions, threatened dangers are frequent but violence rare; baddies meet imaginative but nonfatal justice. A misunderstood ex-tattercoat named Blink, a rat named Nibbles, and numerous forest denizens add humor and/or menace to an already engrossing tale. The light tone assures young readers that good will prevail over bad and that sometimes people just have to venture into the woods. All characters seem to be white.

Both charming and wise. (Fantasy. 8-11)

Pub Date: June 9, 2020

ISBN: 978-0-525-51527-2

Page Count: 256

Publisher: Philomel

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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CAPTAIN UNDERPANTS AND THE TYRANNICAL RETALIATION OF THE TURBO TOILET 2000

From the Captain Underpants series , Vol. 11

Dizzyingly silly.

The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.

Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.

Dizzyingly silly. (Humor. 8-10)

Pub Date: Aug. 26, 2014

ISBN: 978-0-545-50490-4

Page Count: 224

Publisher: Scholastic

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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