Messy, flawed, but utterly brilliant in its humanity.
Just over a month—that’s how long humanity has left before a comet named Foxworth collides with the Earth.
Simon wants to spend his remaining days beside his ex-girlfriend, Tilda, who dumped him in favor of experiencing life before their final day arrives. Simon, however, can’t seem to let go while Tilda sheds her old self more than ever, indulging in drugs and random hookups like most of their doom-conscious peers. Things are strained at home, where Simon tries to avoid the rising tensions between himself and his moms, exacerbated by the return of his pregnant older sister. Then Tilda turns up dead and everyone suspects Simon, including Tilda’s former best friend, Lucinda. Lucinda chronicles the chaos around her, as well as memories of her deceased friend, via an app. But as Simon and Lucinda uncover secrets from Tilda’s life, they become obsessed with solving her murder. A sprawling, at times meandering tale, bestselling author Strandberg’s latest moves a day at a time, an uneasy crawl toward the inevitable. Set in Sweden, the novel offers glimpses of turmoil abroad through pointed sociopolitical commentary and oblique observations on race. Although the trite murder mystery threatens to derail the narrative’s emotional impetus, strong character development brings it all together in the end. Most characters are White; Simon is biracial (his biological mother is Black from Dominica and his moms chose a White sperm donor).
Messy, flawed, but utterly brilliant in its humanity. (Fiction. 14-18)Pub Date: Oct. 6, 2020
ISBN: 978-1-64690-006-0
Page Count: 384
Publisher: Arctis Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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