An affecting and surprising remembrance about the responsibilities of parents and children.
Caprioli describes coming of age in Alaska with a free-spirited Christian mother in this debut memoir.
In 2002, when 12-year-old Caprioli landed in Anchorage to visit his mom, Abby, she picked him up in a beat-up Mustang with no passenger window and a single working headlight. She drove him home through the worst snowstorm ever to hit the region: “The one-hour trip had taken five,” recalls the author. “We had sat at the edge of our seats the entire journey, terrified but excited, happy to be together, and harrowingly aware of death.” Such unpredictability was par for the course with Abby, who gained full custody of Caprioli a few years later, causing him to leave California and settle in Lazy Mountain, Alaska. It was a backwoods, hardscrabble, evangelical upbringing that didn’t always mesh with Caprioli’s growing gay consciousness. The author moved to New York City in 2012 to pursue his literary dreams. There, he worked for a time as a sex worker, making enough to send Abby money every month. Just as Caprioli began to build a life for himself, Abby was diagnosed with colorectal cancer; he found himself back in Alaska, coming to grips with what his mother meant to him. Caprioli’s prose is frank and insightful, finding the lyricism in everyday objects, turns of phrase, and locales. Here, for instance, he discusses pursuing casual sex in Anchorage after Abby got sick: “Sex is the opposite of death, and spending days with her where she could hardly move her head, or could do nothing but blankly contemplate the enormity of a white, stucco wall—I needed a distraction.” His portrait of Abby is the soul of the book, and she’s revealed as a larger-than-life character who exhibits real problems and who causes problems for the author, as well. However, she never loses the reader’s sympathy thanks to his nuanced, nonjudgmental portrayal. The result is a moving rumination on the varying roles that a mother can play in a son’s life, for better and for worse.
An affecting and surprising remembrance about the responsibilities of parents and children.Pub Date: Aug. 6, 2021
ISBN: 978-1-73-751043-7
Page Count: 239
Publisher: Cirque Press
Review Posted Online: July 8, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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