De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations...
Miguel loves music and wants to be a musician more than anything, but his family prohibits him from pursuing his greatest love.
La Música, who narrates in the first person, appears at the strum of a guitar, in wedding bells, in a static-y radio, in the strains of a single violin, whirling through town, joining musicians through the plaza, rising and rising, until Miguel’s abuelita storms out of a shop and demands the musicians stop. “You’ll upset Mamá Coco!” They fumble and stumble away. La Música notices a young boy staring at the guitars in the hands of the musicians, longing for music just as she disappears. Each time she appears again, she looks for the boy and finds him, secretly watching musicians on a hidden TV in his play area, “playing” his broom, but just as she’s about to whisper her name in his ear, his family pulls him away. La Música arranges a careful series of events to help Miguel indulge in music, and the surprise ending lingers in the air like an overheard harmony. Readers don’t learn exactly why Miguel’s family has forbidden music, and though this would be puzzling in a stand-alone book, this book is a side story about the characters in Disney Pixar’s Coco. The tenderness and emotional intelligence of this story serves as a great incentive to learn more about Miguel.
De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations underscore the poetic prose style perfectly. ¡Que viva La Música! (Picture book. 5-8)Pub Date: Oct. 10, 2017
ISBN: 978-1-4847-8149-4
Page Count: 48
Publisher: Disney Press
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.
Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.
Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”
This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-0623-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: April 1, 2020
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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