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THE DEAD FATHERS CLUB

We now owe another debt to Shakespeare, and one to Haig, for re-imagining a tragic masterpiece with such wit, force...

Literary influence is neatly reconfigured in the English author’s second novel (after The Last Family in England, 2005), in which an 11-year-old schoolboy is commanded to seek revenge by the ghost of his murdered father.

“Dad’s ghost” appears to Philip Noble, not on the battlements at Elsinore, but at the family-operated Castle and Falcon Pub, where mourners gather following his funeral. The spirit explains that his apparently accidental death in a car crash was in fact engineered by Philip’s paternal Uncle Alan, an auto-dealer who has designs on Philip’s now conveniently widowed Mum. Dad’s ghost also explains the unhappy fellowship of the title group, whose members hover, unavenged and restless, between the dead and the living—while spurring the reluctant Philip to action, evoking from the boy reactions that astound his family, teachers and schoolmates, and even the forthright older girl (Leah), who matter-of-factly declares him her boyfriend. An act of violence (though not the one intended) ensues, and the embattled Philip—whose unpunctuated, edgy narration is an utter delight—even does some hasty growing up. Haig rather overworks the pattern of carefully spaced allusions to Hamlet (e.g., mischief-making tins Ross and Gary; pronouncing the wonderfully slimy Uncle Alan a “smiling damned villain”). But there are nice characterizations of Philip’s Mum (so needing to be loved that she’s blind to her brother-in-law’s stratagems) and his sympathetic teacher Mrs. Fell, whose practiced niceness does not cloud her keen understanding of boyish bravado and secrecy. The author also makes effective use of the image of Hadrian’s Wall (which occasions a class trip and essay subject) and to its reputation as a barrier between civilization and savagery. As such, it also embodies Philip’s quite credible vacillations between obedience and moral choice.

We now owe another debt to Shakespeare, and one to Haig, for re-imagining a tragic masterpiece with such wit, force and—yes—originality.

Pub Date: Feb. 5, 2007

ISBN: 0-670-03833-4

Page Count: 314

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2006

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Fans of smart horror will sink their teeth into this one.

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Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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