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THE HUMANS

A saccharine novel.

A fish-out-of water mashup where the water is Earth, and the fish is an extraterrestrial.

Professor Andrew Martin has solved the Riemann hypothesis. A mathematical problem of fiendish difficulty, it explains the distribution of prime numbers. This is big news in a galaxy far, far away. The Vonnadorians, in their wisdom, believe we humans are unprepared for this breakthrough. They are so concerned, in fact, they kidnap Professor Martin, of Cambridge University, and send a Vonnadorian to destroy the proof and kill everyone Martin informed. Alien/Martin assumes the shape and identity of human/Martin to insinuate himself into the world. Our alien assassin is narrator and protagonist. And in spite of extraordinary Vonnadorian technology, he is, to quote Foghorn Leghorn, about as sharp as a bag of wet mice, and a softie to boot. He falls away from the rational principles of his distant world, develops a taste for crunchy whole-nut peanut butter and Australian wine, admiration for "his" dog, Newton, love for "his" wife, Isobel, and Gulliver, "his" angst-y teen son. Haig goes all-in on the alien-goes-native humor, and then he goes further. Turns out, human/Martin was an arrogant jerk, while alien/Martin falls hard for our little blue planet, for our contradictions and our mortality, our joys and our follies, for the Beach Boys and Emily Dickinson. Alien/Martin becomes more expert on us humans than dozens of self-help–book authors: “I felt blue with sadness, red with rage and green with envy. I felt the entire human rainbow.” 

A saccharine novel.

Pub Date: July 2, 2013

ISBN: 978-1-4767-2791-2

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 4, 2013

Kirkus Reviews Issue: May 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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