An exciting, if somewhat familiar, tale of high-tech guerrilla warfare.
In Hartle’s SF trilogy starter, a troubled future America is invaded by advanced warrior robots and AIs controlled by a technocratic tycoon.
As the story opens, the United States in severe social and economic decline. Crime and poverty run rampant, partially as a side effect of many people losing their jobs to ubiquitous robots. President Jim Forester, finding neither Republicans nor Democrats willing to do anything to alter the nation’s downward spiral, makes a fateful alliance with technocrat tycoon Travis Eckhart to deploy thousands of enforcement robot warriors and scouts around the country. But the megalomaniacal Eckhart takes the plan much further, toppling Forester from power and sending his lethal bots on a mission of occupation, sabotaging electrical grids and putting citizens in internment camps as a prelude to a high-tech totalitarian society. In an unnamed city, several friends, all recent high school graduates, suddenly find themselves cut off from their families and fending for survival with other holdouts as pitiless armored bots patrol the wrecked streets. Fortunately, the young people find allies. Among them are Skip, a well-sequestered hacker, and Amira Fahmi, who, as a disaffected member of Eckhart’s inner circle, helped concoct this nightmarish takeover and has inside intel. Hartle, whose biography boasts movie special-effects work, makes his debut here with a seemingly storyboarded-for-the-cameras tale of techno-terror. Genre fans will certainly have come across this sort of story before. However, the action in this novel moves at a fast clip, and unlike Daniel H. Wilson’s superficially similar Robopocalypse novels, it has no pretentiously philosophical sidebars about artificial-intelligence ethics and android souls slowing things down. The conquering bots conjured here are effectively shown to be impersonally mindless, if cunningly coordinated, automatons, and the story’s emotional content remains a function of the human characters—at least in this go-round; the open ending emphasizes that this book is the first installment in a Bot Trilogy.
An exciting, if somewhat familiar, tale of high-tech guerrilla warfare.Pub Date: Feb. 28, 2022
ISBN: 979-8423896690
Page Count: 275
Publisher: Self
Review Posted Online: April 21, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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