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COLLISION COURSE

Action galore. The circular firing squad that ends the tale and several characters is a particularly nice touch.

The title Hilton saved for this seventh adventure of private eye Tess Grey and her fiance, Nicolas “Po” Villere, would have suited any of the first six but is even more appropriate here.

After telling off her adoptive mother, Jessie Cameron, and dumping her boyfriend, bar busboy Jacob Doyle, Hayley Cameron has gone the extra mile by running away from home. Jessie acknowledges that her wild child is 21 but still wants Tess to find her, assure her of her mother’s love, and plead with her to come home. The complication, to use one of those understated words that rarely comes up here, is that Madison Toner, who’s Tess and Po’s most likely lead to information about Hayley’s whereabouts, is busy working an insurance scam together with her father, lobsterman Mike Toner, and that Kelly Ambrose, the imperious wife of major player Blake Ambrose, has just sent a trio of hirelings to muscle in on their operation, skimming 50% of their receipts off the top. So Hayley’s resolve to put her mother in the rear-view mirror is exceeded only by everyone else’s determination to keep this interlocking criminal directorate under wraps. The moments when Tess and Po catch up with Hayley and Tess gets to make her speech on behalf of Jessie are only the signals for further developments that include kidnapping, extended scenes of torture, a fatal car crash, and a finale in which the malefactors, outwitted and outmuscled by Tess and Po, turn on each other.

Action galore. The circular firing squad that ends the tale and several characters is a particularly nice touch.

Pub Date: Dec. 1, 2020

ISBN: 978-0-7278-9046-7

Page Count: 240

Publisher: Severn House

Review Posted Online: Sept. 1, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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DON'T LET HIM IN

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

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Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.

Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

Pub Date: June 24, 2025

ISBN: 9781668033876

Page Count: 384

Publisher: Atria

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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