Rated R for sex, violence, sexual violence, and perhaps one too many violent rapists working independently and, indeed, at...
The disappearance of a young woman old enough to know better but who probably doesn’t leads Portland private eye Tess Grey and Nicolas "Po" Villere, her operative and lover (Blood Tracks, 2015), into a wildly tangled thicket of felonies.
There’s no reason why anyone should report Jasmine Reed missing, even after 16 days. Jazz is 24, on her own, and gainfully employed as a bartender at the Bar-Lesque, whose manager, Maxwell Carter, blandly assures Tess and Po that it’s not a strip club. But Jazz’s grandmother, Margaret Norris, is concerned because the girl has a history of running away, although her grandmother clearly doesn’t want to talk about why. Although Tess and Po fail to make much headway, they soon notice that they aren’t the only ones looking for Jazz. John Trojak, a dim, gentlemanly bit of muscle whose cousin, Daryl Bruin, owns the Bar-Lesque, follows them dutifully around their corner of Maine asking questions about Jazz. And there’s someone else on her trail, someone just as violently inclined as Trojak but a lot less genteel. With some help from Pinky Leclerc, a friend visiting Po from Baton Rouge, Tess and Po eventually uncover the story of Jazz’s childhood, which is so horrible and sad that they can see what she was running away from. What they can’t see—although Hilton obligingly gives his readers a peek—is that Jazz has been kidnapped by a seriously deranged man who really likes girls with scars and tattoos. And not just Jazz.
Rated R for sex, violence, sexual violence, and perhaps one too many violent rapists working independently and, indeed, at odds with each other. Now if only Hilton delivered the punch that breaking all those taboos would seem to promise.Pub Date: Dec. 1, 2016
ISBN: 978-0-7278-8650-7
Page Count: 256
Publisher: Severn House
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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