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THE BABY MONITOR

A NOVELLA OF FAMILY HORRORS

A taut, disturbing family tale.

A dark novella focuses on the primal fears that befall parents—and anyone else who has endured the uncertainty of sleepless nights.

Parents often talk of the long evenings that come with caring for a newborn, but Richard and Lissa Platte face another level of struggle. Their 14-month-old child, Asher, has night terrors, and they’ve barely slept in the last six months. For Richard, every evening turns into “an ocean without shores.” He sadly wonders about the “terrible dreams” that plague his son. As the Plattes’ grip on reality slips away—Asher fussing and biting at day care, Lissa faltering on the careful preparation and style that propelled her to manage her own salon, and Richard losing time and awareness, forgetting the simplest of tasks or obligations—they begin to question whether something more sinister is going on. The flickering lights and sounds of their baby monitor seem to taunt them, and they each know that a breaking point—and a reckoning—will come. Their home, their lives, their jobs, their family have all become haunted, and when they find out what’s to blame, there’s no telling if they’ll ever recover. Ingwalson’s (Owl & Raccoon: Locked, 2016, etc.) narrative is effective and suspenseful, and while the conclusion at first appears to be a standard, urban legend-style twist, the ending is more complex and satisfying than that. At times, the prose needs some editing, as convoluted sentences get in the way of the mood: “She picks her phone up from a bedside table she found antiquing and sanded down and replaced the handles with little jewels and she did all these things herself.” But there are certainly instances when the minimalist writing style really impacts the reader, cutting to the core of the story: “There comes a moment when adults see past the flesh, past the noise and know themselves, and Richard thinks, Oh please, please don’t let this be that moment. This can’t be me.” While some readers may feel that the short length leads to a lack of details about the characters and their surroundings, others should enjoy the tight pacing and claustrophobic dynamic.

A taut, disturbing family tale.

Pub Date: Feb. 28, 2017

ISBN: 978-1-5423-1125-0

Page Count: 124

Publisher: CreateSpace

Review Posted Online: April 20, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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