A short and sweet adventure.
Your imagination can take you anywhere.
Two light-skinned siblings spend the day outdoors imagining they are living wild in the forest. Though the text, narrated in first person by the older sibling, relates daring escapades, the artwork depicts the kids in their own backyard. The older child teaches the little one survival skills, and the two come upon a puma (actually a house cat) and must run away, leaving their food behind. The children follow the footprints of “a wild beast,” and soon it’s time for a showdown—“It is either us or him.” The siblings conquer the beast (the family dog), and the narrator informs readers that they will eat well tonight. Next it is time to set up the tent and a warning system in case of more wild creatures. The alarm goes off! But it’s just their mom with water bottles, and soon it’s time for bed—back in the safety of the children’s bedroom. The pencil and watercolor illustrations use a combination of saturated and light colors; scenes depicting big moments fill the page dramatically, and readers will feel immersed in this verdant, idyllic world. The contrast between text and images is clever, and the relationship between the protective older sibling and the younger one is delightful. (This book was reviewed digitally.)
A short and sweet adventure. (Picture book. 4-7)Pub Date: April 26, 2022
ISBN: 978-0-8234-4767-1
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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