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HUM AND SWISH

A lovely homage to a child’s passionate creativity.

A summer day at the beach inspires Jamie to create something with bits and pieces in the sand.

Jamie is intensely involved, humming softly as the waves swish nearby. Several people, including Jamie’s mom and dad, make inane comments or ask what Jamie’s project is. Jamie answers abruptly and vaguely—or doesn’t answer at all. Jamie is totally comfortable there at the edge of the sea, working and observing and listening, and the sea never asks questions. When someone arrives with art supplies and no questions, it is Jamie who asks, “What are you making?” When the woman says she doesn’t know yet, Jamie has found a kindred spirit, and they work side by side without conversation. When their projects are complete, there is a lovely surprise at the reveal. Myers’ spare, almost terse, text is accompanied by acrylic-and-oil illustrations in full- and double-page spreads mixed with vignettes suspended against very bright white spaces. Sand and sea are beautifully rendered in subtle tones of gold and deep blue, and glimpses of Jamie’s project are intriguing. Jamie presents white, and the diverse people encountered are depicted in a manner that is at once realistic and painterly. Jamie’s body language and facial expressions allow readers to feel the child’s fierce dedication and exasperation at being interrupted.

A lovely homage to a child’s passionate creativity. (Picture book. 4-8)

Pub Date: June 11, 2019

ISBN: 978-0-8234-4286-7

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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