by Matt Ridley ‧ RELEASE DATE: April 1, 1997
How do organisms whose behavior is apparently determined by ``selfish genes'' become social beings, let alone altruists and saints? Ridley, former science editor of the Economist, looks to the growing field of evolutionary psychology for answers. This new discipline draws on insights from anthropology, economics, and politics, as well as on the evolutionary trends the author explored in The Red Queen: Sex and the Evolution of Human Nature (1994). Other organisms besides humans have learned to cooperate. The social insects have long been taken as models for human society; the division of labor they exhibit is one of the key advantages of social living. Vampire bats nest in large groups, and it is common for a successful hunter to share its meal with a neighbor, in hopes that the favor will be returned at a later date. This discovery leads to a digression on the famous ``prisoner's dilemma'' of game theory; the first studies seemed to show that the selfish player invariably wins. It now appears that a cooperative player with a ``tit for tat'' strategy will outlast the purely selfish one. Communal hunting raises interesting issues, too. Surplus meat is often traded for sex with an attractive female neighbor. Early modern humans so effectively hunted large animals that many—the mammoth, for example—became extinct. Another negative effect of large-scale cooperation is war. It is evidently difficult even for highly sophisticated social beings to abandon the notion that only their own tribe is really human and that others must be exterminated. The other side of the coin is trade, which depends on mutual trust. ``Trust is as vital a form of social capital as money is a form of actual capital,'' Ridley argues in a concluding chapter in which he attempts to draw lessons for the modern political arena. A provocative look at some of the central questions about what makes us human; strongly recommended.
Pub Date: April 1, 1997
ISBN: 0-670-86357-2
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
Share your opinion of this book
More by Matt Ridley
BOOK REVIEW
by Matt Ridley
BOOK REVIEW
by Matt Ridley
BOOK REVIEW
by Matt Ridley
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.