The novel, first issued via Twitter in blocks of slightly more than 100 characters, provides easy entertainment in book form.
The author's first novel lifts the misadventures and mishaps, ambition and artifice from the French Revolution and reproduces them in San Francisco, recalibrating the affair with a touch of post-modernism and more than a whiff of whimsy.
The story begins with Esmeralda Van Twinkle—once a celebrity pastry chef who ambition propelled into eating herself into a morbidly obese copy-shop employee—being seduced by a professional discount coupon distributor, Jasper Winslow. The aphrodisiac is “Zoogman's masterpiece,” a “triple chocolate truffle swirl cheesecake.” The assignation produces twins, Marat and Robespierre Van Twinkle, names bestowed because the boy and girl were born on Bastille Day. Assorted bizarre characters enter, leave and reappear across a narrative timeline, which extends into the future, where opposition to a war in Iran compels daughter Robespierre to enter San Francisco politics. There she will be undone in a race for mayor by a convoluted conspiracy, prompted by Marat's duplicities and with Jasper's sins as the catalyst. Readers might think the latter is a stretch, given what they've learned of humble Jasper. Every character, large or small, is exaggerated past eccentricity, a seemingly deliberate plot/narrative device. Esmeralda is never an especially sympathetic protagonist. Her children, her mother, Fanny, a sad tyrant trapped in a widow's cottage, the supporting cast of drug dealers, murderers and such generate no empathy either. But the characters are what they need to be to make the story viable. Chapters begin with short comments on the French Revolution, and history buffs can find allusions to the bloody quest for Liberté, Egalité, Fraternité. Best of all, Stewart's language sparkles, sometimes riffing like Bob Dylan, always moving the narrative forward.
The novel, first issued via Twitter in blocks of slightly more than 100 characters, provides easy entertainment in book form.Pub Date: July 1, 2010
ISBN: 978-1-59376-283-4
Page Count: 320
Publisher: Soft Skull Press
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: June 15, 2010
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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