A lively set of dispatches that shows how even the harshest skeptic in the pundit class can be blindsided.
Looking back in bemusement and (eventually) anger at the 2016 presidential campaign with Rolling Stone’s pugnacious political correspondent.
This collection of long- and short-form reports by Taibbi (The Divide: American Injustice in the Age of the Wealth Gap, 2014, etc.) unfolds as a comedy that slowly turns into a horror movie. In August 2015, he was having a sardonic laugh at the “GOP clown car,” the dire assortment of Republican presidential candidates. Sure, the presence of Donald J. Trump in the field ran the risk of his becoming “the most dangerous person in America.” But even up until Election Day, Taibbi never quite believed Trump had a chance at the White House. Early on in the race, he was casually establishing debate drinking-game rules and speculating about (of all things) who’d play John Kasich in the movie version of the campaign. Once Taibbi began attending Trump’s rageoholic populist rallies in early 2016, though, he sobered up and delivered a darker vision of a country menaced by media manipulation. Vivid zingers remain Taibbi’s calling card: George Will is an “establishment GOP spokesghoul,” and he likens Trump spokesperson Katrina Pierson’s rhetorical contortions to “a kitten try[ing] to crawl out of a wood-chipper.” Though he expends most of his powder on conservatives, the author wasn’t much impressed with Hillary Clinton either: he criticizes his employer’s official endorsement of her, arguing that “she has been playing the inside game for so long, she seems to have become lost in it.” Taibbi is cleareyed about the populist forces and fractured media landscape Trump exploited, but given his admission of underestimating Trump’s chances, his first-chapter victory lap, which annotates a chapter from his 2008 book, The Great Derangement, to show how much he’s correctly predicted, feels defensive if not unseemly.
A lively set of dispatches that shows how even the harshest skeptic in the pundit class can be blindsided.Pub Date: Jan. 16, 2017
ISBN: 978-0-399-59246-1
Page Count: 352
Publisher: Spiegel & Grau
Review Posted Online: Jan. 23, 2017
Kirkus Reviews Issue: Feb. 1, 2017
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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