Gorgeous illustrations make this one sure to fly off shelves “like the down of a thistle.” (Picture book. 3-8)
An origin story for Santa’s “eight tiny reindeer.”
Nearly two centuries after “A Visit From St. Nicholas” originated Santa Claus’ “coursers” and “called them by name,” Tavares offers readers their backstory, centered on “a brave young doe named Dasher.” First, the frontmatter notes “a time…when Santa’s sleigh was pulled…by a single horse, named Silverbell.” Ensuing pages depict not a wintry scene of Santa and Silverbell but a parched landscape with a crowd of people peering at penned reindeer as part of the cruel J.P. Finnegan’s Traveling Circus and Menagerie. Illustrated details in clothing and material culture suggest a 19th-century American setting, but the focus is on the animals’ cramped misery. Though kind children provide solace through carrots and smiles, Dasher’s main comfort comes from her mother’s stories of a northern homeland with “crisp, cold air and cool blankets of white snow.” One windy night, the pen’s gate blows open and Dasher escapes. While following the North Star, she encounters Santa (depicted as a white-bearded white man) and a weary Silverbell and offers to help pull the sleigh. Tavares’ art is at its best in such magical scenes, which fairly beg to be made into Christmas cards, but the storytelling falters due to the ease with which the other reindeer escape when Santa grants Dasher her “best wish yet” and rescues her family.
Gorgeous illustrations make this one sure to fly off shelves “like the down of a thistle.” (Picture book. 3-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-5362-0137-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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