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THE SUPERVILLAIN'S GUIDE TO BEING A FAT KID

An exciting romp full of good advice and featuring a fun protagonist.

A fat boy battles bullies in a tale full of villains, heroes, bullies, and good guys.

Maxwell Tercero is 11 and in his first year of middle school—where he finds that, just like elementary school, things are no fun for a fat kid. He is mercilessly and cruelly bullied by older students, led by popular eighth grade athlete Johnny “Johnny Pro” Properzi, and while Max doesn’t necessarily want to hurt Johnny, he does want to give him a sense of the pain he’s causing. Max eventually reaches out to incarcerated supervillain Maximo “Master Plan” Marconius III, who is also fat and who agrees to help Max change his life, inside and out. Master Plan helps Max along his own journey to body positivity, as well as toward victory over the bullies, with some very good advice. However, this help does not come without strings attached, and things rapidly spin out of control for Max, his friends, and others. Body positivity is usually the province of books about girls, so it is refreshing to see the focus here on a boy. Master Plan understands what it’s like to be dismissed as the fat kid, and his advice is so good it is a shame that he is writing from prison. Main characters read as White.

An exciting romp full of good advice and featuring a fun protagonist. (Fiction. 8-12)

Pub Date: Jan. 25, 2022

ISBN: 978-0-06-300803-8

Page Count: 272

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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