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STATE BY STATE

A PANORAMIC PORTRAIT OF AMERICA

Ranges from delights to self-indulgent snores.

Self-consciously modeled after state guides sponsored by the Federal Writers’ Project in the 1930s, this ambitious effort features a terrific roster of writers and arrives just in time for the November elections.

Best here are the immigrant stories: Mohammed Naseehu Ali’s reflections on his introduction to America’s generosity as a Ghanaian high-school student at a Michigan arts academy; Ha Jin’s account of his early years developing as a writer in Georgia; Jhumpa Lahiri’s informative memoir about growing up in Rhode Island. Jack Hitt writes hilariously of the South Carolina temperament, made up of “easy rage, china-shop recklessness and merry eccentricity”—and he’s from the genteel outpost of Charleston. Jonathan Franzen invents a lame interview with a couple of New York State lackeys eager to give him the official scoop, while Lydia Millet offers an openly hostile view of Arizona and the wasteful populace that doesn’t value it. But many writers display genuine love for their state, alongside satisfactory morsels of truth, as in Ann Patchett’s monologue on changes she’s witnessed over the years in Tennessee, Alison Bechdel’s charming cartoon about her life in Vermont, William T. Vollmann’s expression of enduring faith in California and Philip Connors’s riff on the phenomenon of the “Minnesota Nice.” Others—seemingly all New Yorkers—briefly pass through their assigned state on vacation: Saïd Sayrafiezadeh in South Dakota, David Rakoff in Utah and Will Blythe in New Hampshire, whose “paradoxical pride in one’s modesty” he likens to that of the natives in his natal North Carolina. Susan Orlean puts to bed the myths about Ohio, and Andrea Lee, raised in Philadelphia, expresses her conflicted feelings about the utopian ideals of her birth state. Like most anthologies, it’s uneven, and individual essays are somewhat narrow in focus. But Paris Review deputy editor Weiland and McSweeney’s editor at large Wilsey (co-editors: The Thinking Fan’s Guide to the World Cup, 2006, etc.) keep it positive and heartfelt.

Ranges from delights to self-indulgent snores.

Pub Date: Sept. 16, 2008

ISBN: 978-0-06-147090-5

Page Count: 608

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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