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THE U.S. NAVY'S ON-THE-ROOF GANG

VOLUME ONE: PRELUDE TO WAR

From the On-The-Roof Gang series , Vol. 1

An engaging tale of some little-known Navy cryptology efforts before World War II.

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A lightly fictionalized debut work focuses on pioneering codebreakers in the United States Navy in the years leading up to the Pearl Harbor attack.

Retired radio intelligence officer Zullo combines years of technical expertise with a passion for his subject to craft the first of two volumes about a group of 20th-century Navy cryptologists. Called the On-the-Roof Gang because classes were held on the roof of a Navy building, the effort involved 176 men trained between 1928 and 1941. The radio operators learned techniques of transmission analysis involving Japanese katakana telegraphic code in order to intercept Imperial Japanese navy communications. The key figure in the narrative is Petty Officer Harry Kidder, who in June 1924 is a Morse code expert and Navy radioman in the Philippines. An eager and enthusiastic ham radio amateur, Harry discovers puzzling extra letters in transmissions while pursuing his hobby. Determined to decipher what he has noticed, Harry finds out from a Navy memo that the letters are part of the Japanese katakana alphabet. He then asks a friend’s Japanese wife for assistance. She helps Harry develop a “symbol, sound, and letter chart.” Several months later, Harry, now back in the U.S., meets Lt. Laurance Safford, a radio communications officer in Washington, D.C., assigned to look into Harry’s claims. Alongside the two men is the brilliant Agnes Meyer, working as a civilian in Navy communications, who comes up with the idea to establish a training program, and the On-the-Roof Gang is born. The tale proceeds chronologically, discussing developments in code-breaking techniques during the 1930s as well as military history. Other chapters delve into Harry’s personal life and problems, including an incident in Hawaii that leads to his forced retirement before Safford works to fully reinstate him to the “Research Desk” in 1940.

The intriguing story picks up speed and tension toward the end, as Safford and Navy radio operators search for elusive “Winds Execute” messages that will provide evidence that shows what by then seems inevitable: “War with Japan was imminent and that the Japanese were likely to attack without warning.” While technically historical fiction due to the invented dialogue and scenes, Zullo’s book leans heavily toward nonfiction and will primarily appeal to readers interested in military history, code-breaking, and the war in the Pacific. The narrative sparkles with authenticity and is well organized and clear, enhanced by the judicious use of historical photographs and maps. But the inclusion of each of the 25 training classes tends to slow the dramatic pace. And while the fictional scenes are well crafted, Harry, Safford, and others remain primarily historical figures. Still, history buffs will appreciate the illuminating chronicle, which has been informed by archival sources, first-person accounts, and interviews with veterans. While some details could have been omitted to achieve a tighter story, the author’s firm grasp of events makes for a compelling read. Volume 2 promises to bring readers into the war. Kidder, affectionately known as Pappy, died in 1963 and was inducted into the National Security Agency’s Cryptologic Hall of Honor in 2019.

An engaging tale of some little-known Navy cryptology efforts before World War II. (author’s note, list of abbreviations and acronyms)

Pub Date: Aug. 10, 2020

ISBN: 978-1-73515-270-7

Page Count: 442

Publisher: Self

Review Posted Online: Aug. 7, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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