Thoroughly suspenseful and haunting, notwithstanding evil spirits.
Marijuana harvesters at an isolated compound in California’s Emerald Triangle fall victim to violence, crazed dreams, and maybe a few ghosts in this horror debut.
Rebecca Hawthorne doesn’t like the effect Humboldt County’s having on her daughter, Megan. The 5-year-old’s obsessed with ghosts and talks to a little boy whom apparently no one else sees. But both Rebecca and her boyfriend, Calendula, who convinced her to help reap pot for Coyote so the couple can start an organic farm, are having strange dreams, laced with sex and often brutality. Coyote, meanwhile, is desperate for cash; with the legalization of marijuana in some states, his profits will be substantially reduced. He already owes his neighbor Diesel and his teen son, DJ, $50,000 for building a grow room on Coyote’s compound. Diesel’s willing to wait for the money, but DJ, whose girlfriend is pregnant, is decidedly less understanding. Back at the compound, others, including Calendula, may be seeing ghostly figures, like biker and former landowner Spider. Increasingly disturbing nightmares may carry over to consciousness, as ready access to drugs and alcohol make it harder for some to distinguish dream from reality. This ultimately elicits bouts of savage behavior that not everyone will walk away from. Brockmeyer’s unsettling tale has an effectively slow buildup to an intense boiling point. There’s a perpetual edginess despite an ambiguous supernatural element. Even if there are no ghosts, for example, characters’ fears and sometimes-vicious responses to seeing or talking to phantoms are certainly palpable. The grim, unsparing narrative is highlighted by startling scene transitions: a rattling truck moving through a “thick, wet fog that was spilling out over the road from the forest”; and a character in the process of killing someone (the victim not immediately known). Primarily loathsome characters populate the story, but Rebecca and Megan generate sympathy, best exemplified when mother and daughter pass time by watching old soaps and sitcoms that differ drastically from their dour real life.
Thoroughly suspenseful and haunting, notwithstanding evil spirits.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Black Rose Writing
Review Posted Online: May 31, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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