An eminently friendly introduction to both the poet and his spirit—deceptively simple, just like its subject.
A picture-book biography of the poet, with appropriately quirky multimedia illustrations.
Burgess takes young readers from the birth of Edward Estlin Cummings in Cambridge in 1894 through his decades in Greenwich Village as an established poet. The economical text emphasizes his connections to the natural world, manifesting in his first poem, composed at the age of 3, and the loving support of his parents. Even as a boy, he played with words, inventing new ones and “squish[ing] others together.” Burgess chooses details that will speak to child readers: Estlin’s idyllic, streamside summers; his treehouse in Cambridge (equipped with a stove!); the encouragement of a favorite teacher; the “Krazy Kat” comic strips he affixed to his dorm walls; and especially, his effervescent, rule-breaking approach to writing poetry. Using muted, modernist hues, Di Giacomo incorporates letters and words into her double-page spreads, jumping them through a hoop in an imagined circus scene that emphasizes Estlin’s fearless wordplay and depicting them springing from the open pages of his first published book along with the titular Tulips & Chimneys. The use of a classic typewriter typeface to set cummings’ words apart from Burgess’ text is nicely apropos. Backmatter includes a chronology, the five poems, dated, that appear earlier in the book, an author’s note, and acknowledgments (which double as a bibliographic essay).
An eminently friendly introduction to both the poet and his spirit—deceptively simple, just like its subject. (Picture book/biography. 6-10)Pub Date: April 28, 2015
ISBN: 978-1-59270-171-1
Page Count: 64
Publisher: Enchanted Lion Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
No substitute for blankets or shelter, but perhaps a way of securing some warmth for those in need.
Gaiman’s free-verse meditation on coming in from, or at least temporarily fending off, the cold is accompanied by artwork from 13 illustrators.
An ambassador for the United Nations High Commissioner for Refugees, the author put out a social media appeal in 2019 asking people about their memories of warmth; the result is this picture book, whose proceeds will go to the UNHCR. For many refugees and other displaced persons, Gaiman writes, “food and friends, / home, a bed, even a blanket, / become just memories.” Here he gathers images that signify warmth, from waking in a bed “burrowed beneath blankets / and comforters” to simply holding a baked potato or being offered a scarf. Using palettes limited to black and the warm orange in which most of the text is printed, an international slate of illustrators give these images visual form, and 12 of the 13 add comments about their intentions or responses. The war in Ukraine is on the minds of Pam Smy and Bagram Ibatoulline, while Majid Adin recalls his time as a refugee in France’s “Calais jungle” camp. “You have the right to be here,” the poet concludes, which may give some comfort to those facing the cold winds of public opinion in too many of the places where refugees fetch up. The characters depicted are diverse. (This book was reviewed digitally.)
No substitute for blankets or shelter, but perhaps a way of securing some warmth for those in need. (Picture book. 6-9)Pub Date: Oct. 31, 2023
ISBN: 9780063358089
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
A lackluster collection of verse enlivened by a few bright spots.
Poems on various topics by the actor/screenwriter and his kids.
In collaboration with his now-grown children—particularly daughter Erin, who adds gently humorous vignettes and spot art to each entry—Bob Odenkirk, best known for his roles in Breaking Bad and Better Call Saul, dishes up a poetic hodgepodge that is notably loose jointed in the meter and rhyme departments. The story also too often veers from child-friendly subjects (bedtime-delaying tactics, sympathy for a dog with the zoomies) to writerly whines (“The be-all and end-all of perfection in scribbling, / no matter and no mind to any critical quibbling”). Some of the less-than-compelling lines describe how a “plane ride is an irony / with a strange and wondrous duplicity.” A few gems are buried in the bunch, however, like the comforting words offered to a bedroom monster and a frightened invisible friend, not to mention an invitation from little Willy Whimble, who lives in a tuna can but has a heart as “big as can be. / Come inside, / stay for dinner. / I’ll roast us a pea!” They’re hard to find, though. Notwithstanding nods to Calef Brown, Shel Silverstein, and other gifted wordsmiths in the acknowledgments, the wordplay in general is as artificial as much of the writing: “I scratched, then I scrutched / and skrappled away, / scritching my itch with great / pan-a-ché…” Human figures are light-skinned throughout.
A lackluster collection of verse enlivened by a few bright spots. (Poetry. 6-8)Pub Date: Oct. 10, 2023
ISBN: 9780316438506
Page Count: 160
Publisher: Little, Brown
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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