A delightful tale of magic and monsters that subverts genre expectations with characters both familiar and equivocal.
A group on a self-imposed mission to track down abducted villagers winds up battling deadly creatures and an evil of unspeakable power in this series-opening debut fantasy.
Having provided a trader with safe passage to Bridgeton, five now out-of-work friends head to Westover, birthplace for one of them: Arden. Though Arden’s family left the town when he was a boy, he wishes to pay respects to his ancestors. His traveling companions include Gnome, Ohlen, Ruprecht, and sole female X’andria, all of whom have special abilities and some of whom know magic. Tragically, they find Westover in ruins, but among the bodies is a survivor, Rowena, who claims the villagers were attacked and killed by pig/human hybrids. Ultimately declaring these beasts goblins, the group journeys west, convinced that some of the still-living townspeople are hostages in need of rescue. Fierce battles with the goblins ensue, and Ohlen believes that a black orb they’ve discovered, which harbors “an evil will within,” is in some way responsible for the beasts’ recent deeds. Once inside the creatures’ lair, Gnome and the others encounter prisoner Boudreaux in the process of escaping. But saving the Westoverans entails reaching an exit while steadfastly steering clear of what Boudreaux decrees a doorway to hell. The kinetic tale is a series of seemingly unending confrontations between the friends and goblins. Hinsley, however, provides sustenance with increasingly sinister villains, like a hooded figure of dark magic and a headlining tentacled monster. Characters’ origins, too, are largely— and curiously—ambiguous. There are quite a few elflike pointy ears, but X’andria and Gnome met years ago as orphans, and aside from Gnome’s short stature and confirmation that he’s neither elf nor human, he remains a mystery. Individual skills add further depth, even when not preternatural (for example, Arden is an apt scouter and tracker). Despite beaucoup clashes, the violence is generally muted, courtesy of Hinsley’s lyrical style: “He was a thing of terrible beauty to behold as his blades cut….” Garretsen’s stunning black-and-white artwork precedes each chapter, both complementing the narrative and teasing images to come, like an ominous empty room.
A delightful tale of magic and monsters that subverts genre expectations with characters both familiar and equivocal.Pub Date: July 29, 2016
ISBN: 978-1-365-23082-0
Page Count: 264
Publisher: Lulu
Review Posted Online: Oct. 13, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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