impressively knowledgeable, and very moving historical novel.
A richly satisfying debut, comparable in many ways to Andrea Barrett's The Voyage of the Narwhal, that uses nearly 20
carefully distinguished voices to tell the convoluted story of a 19th-century expedition to Tasmania and a stalemated conflict between "civilization" and "savagery." It's heavy going at first. In 1857, Captain Illian Kewley blandly relates the misadventures of the ship he commands, the (rather grandly named) Sincerity, seized for smuggling, then "put up for charter," and hired to sail to Tasmania by an unlikely pair of "passengers." Reverend Geoffrey Wilson aims to disprove the claims of geology by demonstrating that the biblical Garden of Eden did exist: on this remote island off Australia's southern coast. His partner, Dr. Thomas Potter, motivated by what Potter terms "scientific interest," seeks evidence to support his notion that Tasmanian aborigines represent "the very lowest of all the races—or species—of men, being bereft of even the most rudimentary skills." The answer to Dr. Potter's theory emerges in several narratives dating from 1820 and thereafter, in which we meet a number of Tasmania's colonial governing officials and their families; "sealer" (and sailor) Jack Harp, for whom aboriginal women are sexual game ripe to be taken; and, most importantly, a wily native named Peevay, whose intimacy with the "visiting" English will test his people's innate gentleness and threaten their very existence, and Peevay's choleric "Mother," who swears revenge on the white men who have abused her (and, in fact, becomes a kind of warrior queen whom her white educators will, in their innocence, rename "Boadicea"). Kneale blends together their several stories adroitly, in a suspenseful piecemeal narrative that climaxes when those begun in the 1820s extend 30 years into the future, the "English passengers" arrive at the port of Hobart, and the destinies of two opposed cultures inexorably work themselves out. Despite minor echoes of Great Expectations and Thomas Keneally's The Chant of Jimmie Blacksmith: an original,
impressively knowledgeable, and very moving historical novel.Pub Date: March 14, 2000
ISBN: 0-385-49743-1
Page Count: 416
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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