THE DESERET RECKONING

In Huffman’s novel, a young man unwittingly endangers himself and his friends as they retrace a relative’s journey through Utah taken the previous century.

The novel explores two moments in a family’s history, taking place 112 years apart, both concluding in violence. Their convergence point is a young man named Tom Sullivan, who, in the early 1980s, works at a sporting goods store in Golden, Colorado, and hangs out with a salesman and Vietnam veteran named Jack Elmore, drinking in Jack’s garage. Jack has another friend he looks in on, the more opaque and laconic Frank, also a Vietnam vet. The men are paid a visit by Susan Kingsley, an acquisitions assistant specialist at the Smithsonian Museum, and by her ex-husband, Andrew Harrison, an unfaithful and ill-tempered junior FBI agent jealous that Susan’s career’s star might ascend before his. Susan’s on the trail of some letters that might shed light on how Mormons and Native Americans procured the rifles that were used in a massacre of over 100 emigrant travelers journeying through Mormon country in 1879. Those original letters have just been sent to their rightful heir: Tom. As Tom, Jack, and Frank head off on a fishing trip in which they also seek the homestead of William Mitchell, the writer of the letters, Susan follows in their wake, in search of history. And Andrew follows her, in search of revenge for the pall their divorce has cast over his job. In the retelling of William Mitchell’s covered wagon journey to Utah, frontier violence is a way of life; in the late 20th century, the violence is personal. The closing third of the novel ramps up the suspense in both timelines, conveyed in gorgeous prose and featuring rich character development. Both stories’ conclusions are emotionally affecting and unexpected. This irresistible novel manages the curious trick of making the reader want to stand up and cheer when a woman rides up on horseback in the middle of nowhere and says, “Afternoon, gentlemen. I’m Susan Kingsley with the Smithsonian Museum.”

A transformative tale of personal reinvention from a masterful storyteller.