An intriguing seriocomic fable of a supposed utopia gone wrong.
In Marullo’s SF novel, a future utopian community of evolved humans faces a quandary as long-suppressed sexual desire resurfaces in their society.
After the death of Earth’s original solar system, the planet is cast out on its own. It wanders as a rogue for a million years before getting a second chance by getting recaptured in the orbit of a passing star. Environmental upheavals are catastrophic, but over eons, a new iteration of Homo sapiens (“Homo Sapiens 2.0”) emerges, apparently repeating exactly the same evolutionary process as before and now occupying a single-continent landmass. The people who dwell upon the planet Opine, called Opinions, are intellectual and have a “cider complexion”; they’re nature-loving, generous, and have no organized religion, war, hatred, bigotry, or greed. A digital archive of old Earth has enlightened Opinions to their wretched history; indeed, mocking the “Fools” of the past is a common Opinion pastime. Their culture long ago quashed bad behavior by using a regime of drugs and gene therapy, and it has a side effect of muting human sex drives. Then Opinion student Aster Bottlebrush changes everything by politely asking his friend Dianella Whitebeam if he can see and fondle her naked breast, and she assents. The event has the effect of shaking Opinion society to its very core, as it reveals that the aforementioned “Self Suppressor” treatment is not absolute, as everyone thought.
Marullo, the author of Till Times Are Done (2019), among other novels, adopts several aspects of utopian fiction in this satirical work; it’s a mod of storytelling that has a venerable history in the SF genre (and one that underpins some of its earliest tales, in fact). Some readers may find that the narrative’s first act is rather tough going, offering readers a throwback to such chestnuts as Samuel Butler’s Erewhon (1872) and Edward Bellamy’s Looking Backward (1888), which both delve into the idea of allegedly perfect human societies. In this one, the author follows a familiar format, detailing how the whimsical Opinions finally managed to get things right, long after the Fools evidently destroyed themselves in a mid-21st-century storm of political corruption, division, wealth inequality, pandemics, and science denial. However, after the Bottlebrush-Whitebeam incident, the story truly kicks into gear, and the Opinions start looking less rosy and their culture recalls Aldous Huxley’s classic Brave New World (1932). There are erudite quotes from such thinkers as Aristotle, Karl Marx, Immanuel Kant, John Rawls, T.H. White, and others, but things get sexier—literally and figuratively—in the novel’s home stretch, as the Opinions start acting more than a little Foolish. By the time the finale rolls around, the book has turned into another genre warhorse known as the “shaggy god story,” which tackle biblical notions, such as Creation, from an SF perspective. This punchline is one that is worth readers’ while, and it may well have readers wondering where they would stand in the author’s depiction of a paradise lost.
An intriguing seriocomic fable of a supposed utopia gone wrong.Pub Date: Oct. 29, 2022
ISBN: 9798218055233
Page Count: 291
Publisher: Marullo Publications
Review Posted Online: Dec. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A well-written if elusive treat for fans of modern mythologizing.
In which the Angel of Death really wants to take a holiday.
“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream- and rust-colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).
A well-written if elusive treat for fans of modern mythologizing.Pub Date: July 23, 2024
ISBN: 9780593446591
Page Count: 352
Publisher: Del Rey
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
SEEN & HEARD
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