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ALL THE COLORS OF CHRISTMAS

Like so many books commemorating the season, sweet but unremarkable.

Rhyming verse describes various Christmas symbols and events, grouped by color, as four children celebrate the season.

The dominant color in Gamble’s palette shifts accordingly from red through green, gold, blue, and white to brown before concluding pages shift from hues to “you.” The children, two White kids who may be preschoolers or early-elementary children, one Asian child about the same age, and another Asian child who is a young toddler, decorate the tree, go to a Christmas fair, go ice-skating, and participate in a Nativity play, among other activities. The children’s caregivers are largely absent, leaving readers to parse the children’s relationships as they will: They could be siblings, two sets of cousins, or good friends. Other children of varied racial presentation appear in the background. Turner’s verse makes some odd twists and turns, with forced rhymes and/or scansion in more than one or two spots. “Christmas is GOLD. / It’s bright ribbon unrolled. / It’s jingling bells / and warm, yummy smells. / It’s heirlooms YOU ARE NOT ALLOWED TO HOLD. / It’s dancers all tapping among holiday trappings. / It’s nutcracker crowns / and Christmas Eve gowns. / It’s glittery gift wrapping.” Like the verse, the illustrations are also sometimes awkward, the children sometimes seeming as if they are pasted onto a space rather than painted into it. A little mouse in a snowsuit appears in many spreads. (This book was reviewed digitally with 8.5-by-17-inch double-page spreads viewed at 92.3% of actual size.)

Like so many books commemorating the season, sweet but unremarkable. (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-0-525-65414-8

Page Count: 40

Publisher: Convergent

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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