An energetic presentation of our complicated relationship with God, whom we have welcomed with “open arms, congressional...
Turner (Hear No Evil: My Story of Innocence, Music, and the Holy Ghost, 2010, etc.) surveys the American molding and remolding of God to fit our often curious convictions, a tradition as natively ingrained as “playing baseball, cruising strip mall parking lots, and popping antidepressants.”
God is ambiguous and protean, meaning many things to many people—“Jehovah, Jesus, or Allah to believing in Nature, a ‘Spirit Mother,’ or some other grand presence that usually enjoys silence and book clubs”—writes the author in this engaging history that turns a penetrating eye on how God has been shaped to fit the varieties of faith in America, a land in which nearly 80 percent of us identify with a God. This brand of the divine began with the Puritans and their sui generis God—“a sovereign, doctrinally stout, damnation-prone deity”—celebrating a Calvinist embrace of our personal roles in education and enterprise (namely, worldly goods), which spawned Roger Williams’ reactive take on the protection under law of all religious sects. Jonathan Edwards promoted for his followers a God of glory, beauty and divinity, though also one “ready to toss their meaningless sin-ridden souls into a black hole of fiery torment.” Thomas Jefferson, unsurprisingly, magnified God’s ethical wisdom, yet there was also a God of slavery, as well as a Quaker abolitionist God. Turner’s writing has the quality of a primer, with clear language and ideas that are bandied about without getting bogged down in agnostic and atheistic approaches. The author also displays a playfulness that doesn’t obscure where he falls on doctrinal issues: “Evangelicals are quick to give Jesus the glory when your plan succeeds, but it is never Jesus’s fault when your plan fails. Because Jesus never fails. You do. Somehow, a large portion of America’s evangelicals have become convinced that this process is the ideal Christian life.”
An energetic presentation of our complicated relationship with God, whom we have welcomed with “open arms, congressional protection, free speech, and tax-exempt status.”Pub Date: Aug. 19, 2014
ISBN: 978-1455547340
Page Count: 256
Publisher: Jericho Books/Hachette
Review Posted Online: June 11, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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