An earnestly felt, beautifully wrought story of an American family in all its complexity.
An intensely personal account of growing up in a large, multiethnic family.
Guterl, professor of Africana studies and American studies at Brown University and author of Seeing Race in America, fashions a moving, elegant memoir of his childhood within the “idealized experiment” of multiracialism created by his visionary White parents, Sheryl and Bob. Born in 1970, the eldest biological child to the lawyer father and homemaker mother in suburban New Jersey, Guterl gained siblings over the years: infant Bug, adopted from Korea; Mark, “another biological white son,” born in 1973; Bear, a Black Asian 5-year-old brought out of Saigon in 1975; 13-year-old Anna, “a beautiful Asian-and-white child, a proto-adult and a surrogate mother to us all,” in 1977; and Eddie, a Black 6-year-old adopted from the South Bronx in 1983. With children representing “the three great racial divisions of humankind,” as Bob said, this multiracial family was an anomaly in the American landscape. “As members of this family, this monument to radical futurity, we live in a house that is both private and public, in a small town that is picture-perfect, in the middle of nowhere,” writes Guterl. “There, we are science fiction brought to life. And we are biblical, a living reminder of the world’s failures.” The author writes poignantly of their home, a place both protective and decorative: The front yard was like a glaringly public theater, while the backyard was the children’s private play space. As the children matured and the stewardship role of their extraordinary parents receded, tensions arose when the children were confronted more directly with society’s overarching biases and racial expectations. Bob’s death served as a major test of the family cohesion, and the author writes elegantly about his funeral, noting “the diversity of the mourning family, our Black and brown and white skin tones, our heads bowed in sorrow, reflecting mutual affection for the dead hero.”
An earnestly felt, beautifully wrought story of an American family in all its complexity.Pub Date: March 28, 2023
ISBN: 9781324091714
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: Feb. 1, 2023
Kirkus Reviews Issue: March 1, 2023
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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