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WE ARE THE LIGHT

When it comes to facing tragedy and trauma, Quick's novel shows us that it definitely takes a village to heal and move on.

The author of The Silver Linings Playbook (2008) tells a story of unexpected twists and turns on the road to recovery after a shattering tragedy.

Lucas Goodgame is dealing with a lot. He's a high school counselor in Majestic, Pennsylvania, who survived a mass shooting in the town’s historic theater. His wife, Darcy, was killed and has been transformed into an angel; his analyst, whose own wife was killed in the shooting, won’t answer his desperate letters; and there’s a kid camped in his yard who might hold the key to helping the town heal. Quick became a household name thanks to his debut novel and the 2012 Oscar-winning movie adaptation, and he's conjured a similar feeling of community and tender family affection here, with plenty of people helping Lucas cope with the unimaginable. That includes Jill, owner of the local coffee shop and his late wife’s best friend. Jill feeds and cares for Lucas, and it’s clear she wants more from him, but he’s not ready—not when the angelic Darcy is visiting him at night, wrapping her wings around him and leaving feathers on his bed in the morning. But it’s Eli, the shooter's younger brother, who has the greatest impact on Lucas' recovery. Eli is struggling with guilt—he saw his brother's behavior take a sinister turn and didn’t warn anyone—and he pitches a tent behind his former counselor’s house. Soon, inspired by Darcy’s enigmatic words—"the boy is the way forward”—Lucas realizes that helping Eli make a monster movie for his senior class project just might help the teen, the traumatized survivors, and the town find meaning in the senseless deaths of 17 of its citizens. The novel is timely in light of what’s taking place in the U.S. now, and some characters turn their grief into political activism, but that’s not Quick’s focus. He doesn't delve into issues like gun control or the shooter’s motivations, which makes the story feel superficial at times. Instead, his focus is on Lucas' healing journey, the people who love him (we should all be so lucky), and how the mind makes “valiant attempts to protect us” until we’re ready to deal with our losses.

When it comes to facing tragedy and trauma, Quick's novel shows us that it definitely takes a village to heal and move on.

Pub Date: Nov. 1, 2022

ISBN: 978-1-668005-42-2

Page Count: 256

Publisher: Avid Reader Press

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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