Reilly says he had to self-publish Contest “after every major publisher in Sydney rejected it.” Those editors should keep...
The Australian author of three breathlessly plotted action thrillers (Area 7, 2002, etc.) unveils what was his first novel.
You’d think a bunch of highly advanced aliens would find some other place in the galaxy to hold a gory death match than the 42nd Street New York Public Library, and that they’d pick someone other than radiologist Stephen Swain to represent the human race. A brainy, good-natured widower who quelled a violent disturbance a few weeks back (and thus gained the approval of extraterrestrial watchers), Swain finds himself teleported into the library, unwitting and unarmed, from his Long Island home, with his eight-old daughter, Holly, in his arms. There, a fussy, four-foot humanoid named Selexin spends far too many pages explaining the contest rules, which are, basically, that the last of the seven species to survive has to kill the Karandon, a big, stupid, hairy ape with claws, who has already shredded a library security guard. Oh, and Swain better not flee: the library is enclosed in a lethal electrical field and, even if Swain finds a way to disable it, a band on his wrist that he can’t remove will incinerate him if he’s outside the field for more than 15 minutes. Why 15 minutes? Why do all the creatures Swain has to fight resemble hokey Hollywood monsters from cheesy horror and science fiction shows? Why do aliens with such advanced technology use claws, knives, horns, fangs, mesmerizing antennae, or big ugly feet to kill their prey? Why does the National Security Agency send in a platoon of macho commandoes to investigate when New York’s Finest deals with illegal aliens all the time? Reilly has little concern for these and other preposterous plot holes, and, on page 89, he begins the inventive, highly contrived, breathtakingly executed mayhem that makes his thrillers such quick, mindless reads.
Reilly says he had to self-publish Contest “after every major publisher in Sydney rejected it.” Those editors should keep their jobs.Pub Date: March 10, 2003
ISBN: 0-312-28625-2
Page Count: 352
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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