Poor Cinderella. Her story always begins so poignantly that even Reinhart’s extravagant colorful pop-up scenarios can’t quite cheer things up—until the fairy godmother arrives, of course. The first spread gives rise to a quaint three-dimensional homestead, windows revealing Cinderella’s cruel stepmother and her two nasty stepsisters. Where is Cinderella? Readers must open one of the many small pop-up-books-within-a-pop-up-book to see her descending head-first from the chimney (that she’s cleaning, of course). Cinderella’s fairy godmother soon pops up, literally, sporting pink acetate wings. She sees to it that the beautiful servant girl makes it to the prince’s ball, first turning a pumpkin into a stagecoach made from positively prismatic metallic paper. A fat black rat transforms into a jolly coachman with the turn of a page and Cinderella in her fancy gown (with real ribbon) sprouts up like a giant mushroom. Wonderful, glittery, shiny pop-up surprises abound as corset strings are pulled, dancers twirl and castles loom. Reinhart’s retelling is solid from start to happily-ever-after finish. (Pop-up book. 4-8)
Pub Date: Nov. 1, 2005
ISBN: 1-4169-0501-4
Page Count: 12
Publisher: Little Simon/Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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