A vigorous tour of Jerusalem in all its complexity.
In the three monotheist traditions, Jerusalem is a dreamlike place “of heavenly perfection, our city of joy”; it is also a distinctly physical entity that has endured enormous fracturing over the centuries. BBC journalist and travel writer Teller describes the lives of many of the city’s inhabitants as he attempts to reveal its contemporary essence. He ably investigates a crucial dichotomy: the “physical Jerusalem and [the] moral, spiritual one; an old, corrupted message and a new, clear one.” For ages, he writes, “it didn’t matter that the city had no river, no strategic value and no natural sources of commercial wealth. It had God.” Though accepted as the way it has always been, the division of the city into four quarters—Christian, Muslim, Armenian, and Jewish—actually occurred fairly arbitrarily in the mid-19th century thanks to British Protestant missionaries. Moving back and forth in time, Teller uses as a frame of reference the sequence of walls and gates implemented by Suleiman the Magnificent in the 16th century, taking readers through the labyrinthine neighborhoods that have grown up around those gates. The author chronicles his in-depth conversations with a wide, diverse swath of the population: Sufi mystics and religious figures of all kinds, of course, but also Palestinian, Indian, African, and Jewish shopkeepers; members of the Dom community (“socially, politically and economically these people are at the bottom of every heap”); and even “quadrilingual” Armenian rock star Apo Sahagian, who grew up in the Old City. Since the Six-Day War of 1967, citizen displacement has been widespread, and while Teller doesn’t delve deeply into this animus, the epilogue explores Palestinian restrictions and the toll of Partition. Overall, the author delivers an illuminating reexamination of an enduring city, a book that makes a satisfying complement to Andrew Lawler’s Under Jerusalem.
A deft, engaging portrait of a teeming, shape-shifting city.