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THE LAST PERSON IN THE WORLD

An engagingly original novel that’s by turns clever and discomfiting.

In Tree’s thriller set in late-1970s London, a college student finds himself swept up in a radical group’s violent plans.

The tale’s unnamed narrator is a 19-year-old who manages to get accepted into a venerable academic institution, Wolverton College at Wellingford University, despite his modest background and, by his own account, being “bereft of oomph.” But he’s full of youthful discontent. He joins the Real Workers’ Party, reads widely in Marxist literature, and believes, however inarticulately, that society is fundamentally corrupt: “All I’ve seen so far is that the system is rigged, rigged from top to bottom, you’re inserted into it at one level or another and once you’re in you have to do your best with your allotted lot.” Meanwhile, London is roiled by terrorist bombings; a group called The Vanguard claims responsibility but doesn’t seem to have any cause to push. The protagonist’s girlfriend, Beth, surmises that they’re a “bunch of nutters.” An intimidating MI5 agent, James Delaney, compels him to try to make contact with them, but he’s kidnapped in the process by Vanguard operatives. Their leader turns out to be Ralph Finns, an old school friend who hails from a wealthy family—a plot twist that readers may see coming. Otherwise, though, this is a stunningly unpredictable work; for one thing, it turns out that The Vanguard isn’t a political group at all. They’re an assemblage of people seeking to take down those who have victimized them in the past. This is an offbeat book that effectively combines humorous moments with disturbingly dark content, including descriptions of sexual abuse that are very difficult to read. But it’s also a gripping work that takes on the hypocrisy of the society in which the protagonist lives—one that confirms his intuitions, if not his Marxist leanings.

An engagingly original novel that’s by turns clever and discomfiting.

Pub Date: July 19, 2023

ISBN: 9798398211672

Page Count: 241

Publisher: Self

Review Posted Online: Nov. 29, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE INTRUDER

A grim yet gleefully gratifying tale of lost innocence and found family.

A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.

High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.

A grim yet gleefully gratifying tale of lost innocence and found family.

Pub Date: Oct. 7, 2025

ISBN: 9781464260919

Page Count: 288

Publisher: Poisoned Pen

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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