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PERMANENT EXHIBIT

Captivating journeys with a playful, winsome guide.

Endearingly tender essays reveal the quirky flights of a curious mind.

Fatherhood, anxiety, the delights of playing video games, and transient moments of epiphany emerge as themes in these brief essays by Vollmer (English/Virginia Tech; Gateway to Paradise: Stories, 2015, etc.). His musings on nature recall the sensibility of poet Mary Oliver; his reflections on family, David Sedaris. Unexpected juxtapositions yield pleasurable surprises. In “Sinkhole,” for example, he recounts beginning his day checking his phone for news and noticing a video on how to prepare a one-pot spaghetti meal, which leads him to ruminate about red meat and heart attacks, crashing while biking, a fond recollection of a certain yellow lab that lived for years after being diagnosed with a deadly illness, playing the video game “No Man’s Sky,” in which he happily explores a virtual planet, and his overwhelming feeling of “gratefulness for being alive…causing me to acknowledge that I’ve done nothing to earn a life as good as the one I have.” The author’s happiness, though, is tinged with anxiety, as if “there must be something lying in wait, just beyond the reaches of what I can perceive.” In “Stormbox,” he confesses that faced with thunder, lightning, or existential turbulence, “the need for human contact” impels him to wrap his arm around his son’s chest, reassured by the “rhythmic and steady beat” of the boy’s heart. Keenly attentive to the landscape through which he bikes and walks his dog, Vollmer notes a spider’s web glistening like “a net upon which droplets of dew had been strewn like jewels”; a dry creek bed, “its boulders chalky with dust”; and the sun rising above “a field of wheatlike grass and pale blue mountains [that] resemble frozen blue waves.” Theosophy, YouTube videos, the ambitions of Elon Musk, the strange emergence of menacing clowns in a South Carolina town, politics, his students, and various family members all pop up in fresh and surprising ruminations.

Captivating journeys with a playful, winsome guide.

Pub Date: Sept. 11, 2018

ISBN: 978-1-942683-68-1

Page Count: 192

Publisher: BOA Editions

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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