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BOYS WEEKEND

An uneven but undeniably original adventure.

Lubchansky uses science fiction, horror, and the comic book form to explore the terrors of coming out as transfemme in a world dominated by dudes.

Sometime in the not-too-distant future, Sammie Kavalski is packing for their best friend Adam’s bachelor party blowout. They’re not thrilled at the prospect of spending a weekend at El Campo, a floating resort in the South Pacific. And they’re even less excited about hanging out with old pals who still treat them like one of the guys. This ostensibly pleasant excursion will prove to be beyond Sammie’s worst imaginings. During days of lawless partying on the high seas, Sammie will have to deal with toxic bro culture, a dangerous cabal, an eldritch horror from the deep, and people who consistently mock and misgender them. Although it’s set in an invented universe, Lubchansky’s graphic novel offers commentary on our own time and place. El Campo is built on a garbage island, and on their way there, Sammie is upcharged for having gained 3.3 pounds since they booked their “Super-Saver Plus Plus” ticket, and they have to pay a landing fee before they can exit the airport. When they check into their hotel, they have to offer a blood sample so they can participate in fun activities like hunting and killing their own clone. And the cabal—which calls itself a “vertically integrated marketing platform for a global network of entrepreneurs”—issues fleece vests not unlike those favored by fintech guys to its members. The fantastic elements of this graphic novel are intriguing, but the bulk of the book consists of repeated scenes of Sammie being abused by the bachelor-party cohort, retreating to deal with the emotions that stirs up, and then rejoining the group. These two parts of the story don’t work well together, though. Neither the relationships among characters nor the sea-monster cult is given enough space to develop. That said, Lubchansky gives Sammie a chance to reconcile with Adam and their past self in a way that is very satisfying.

An uneven but undeniably original adventure.

Pub Date: June 6, 2023

ISBN: 9780593316719

Page Count: 232

Publisher: Pantheon

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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