Complete with fortune-cookie wisdom and a highway psychic, Casey's debut, like so many other domestic novels, feels dazed...
Somewhat aimless in design, Casey's first fiction drags on over the course of one summer and never earns its final discovery of "the elusive beauty of the world."
Full of its narrator's self-pity, this sour little novel glances at the various horrors of popular culture: shopping malls, TV commercials, Scientology, rock lyrics, gated communities, road rage—all filler in Casey's attenuated vision. At the narrative core is a common slacker tale: a thirtysomething college graduate, loveless and jobless, leaves San Francisco to live with her divorced mother back home in nowhere Illinois. While Adeline, divorced for some 25 years, is determined to find love, compulsively dating available men, her daughter Isabelle is still recovering "from trying to make a life" independent of home. Isabelle temps for an agency as a consumer spy, changing her look for each assignment—not much of a problem, since she lacks a strong identity to begin with. She soon falls into an uncertain relation with her old high-school boyfriend, a community college dropout who manages the local cineplex, and into an even stranger companionship with the old fellow who lives across the street in an empty house. Raymond, who dreamt of Hollywood in his youth, spends most of his time spying on Isabelle and Adeline, and watches TV with Isabelle when her mother is on a date. Isabelle considers him "a fellow spaceman" who makes her feel normal and fulfills her fatherly needs—this despite her awkward pass at him. Isabelle, of course, blames her mother (and her deceptions) for all her troubles, including her essential cluelessness. The series of dramatic revelations near the end seem forced, as if the author were imposing direction on a narrative that would be better off drifting.
Complete with fortune-cookie wisdom and a highway psychic, Casey's debut, like so many other domestic novels, feels dazed and confused.Pub Date: April 3, 2001
ISBN: 0-688-17695-X
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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