Writing about control as much as love, Ventura describes a marriage from hell that works, however oddly.
Ventura’s first novel explores love’s darker alleyways through the eyes of a 40-year-old Frenchwoman who's obsessed with her husband.
One Sunday, after becoming aware that her 15-year marriage may be about to implode, the unnamed narrator, a part-time teacher and English-French translator, relives the previous week. She defines each day by color and general mood; so Monday is blue, a day of beginnings, while quarrelsome Tuesday is black, and good luck Friday, green. But all revolve around the narrator’s excessive passion for her husband (referred to only as “my husband” as a declaration of possession). A modern Emma Bovary aiming her passionate energy toward her husband instead of a lover, she knows “I have to control myself” to avoid appearing “unseemly.” Insecure in her husband’s moneyed, bourgeois world, she relies on organization and rules. She teaches herself etiquette from a book. She fills notebooks with lists. Each day she notates both reasons she adores him—good looks, charisma, breeding, earning power—and a litany of his abuses: kissing her cheek instead of lips, holding her hand too briefly, choosing a clementine to describe her in a game with friends. She’s created rules her husband breaks without knowing they exist and doles out what she considers corresponding punishments that range from ignoring his calls to having meaningless sexual assignations. The reader sees the narrator’s husband only through her neurotic, nit-picking lens. Is he controlling and oblivious or devoted both to her and their two children (whom she finds distractions from the marriage)? Self-consciously erudite with her references to Phaedra and Duras, the narrator is also witty; a riff on how to translate “sweep me off my feet” into French is particularly charming. Beyond eccentric, she is easy to laugh at but also a discomforting object of condescending pity. And yes, there’s a somewhat contrived twist at the end that reading groups will love to discuss.
Writing about control as much as love, Ventura describes a marriage from hell that works, however oddly.Pub Date: July 11, 2023
ISBN: 9780063274822
Page Count: 272
Publisher: HarperVia
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
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