by Maura Spiegel ‧ RELEASE DATE: Dec. 10, 2019
A likely definitive exploration of the director’s distinguished career—of great interest to budding filmmakers and film...
A well-grounded biography of the American director’s expansive career.
Throughout a prolific career, Sidney Lumet (1924-2011) emerged as one of the most acclaimed directors of his time, recognized for his accomplishments in theater, TV, and, especially, film (Twelve Angry Men, Dog Day Afternoon, Network, etc.). In this first significant biography of Lumet, Spiegel (Literature and Film/Columbia Univ.; co-author: The Breast Book: An Intimate and Curious History, 2002, etc.) offers a comprehensive study of this multifaceted filmmaker, thoughtfully examining the creative and personal forces that influenced his work. The author traces his early years as a child actor performing in Yiddish theater at age 5 through his work on Broadway as a teenager and his enlistment in the Army during World War II. After the war, Lumet’s interest quickly shifted from acting to directing for the theater. In the early days of TV, he firmly hit his stride, mastering the quickly evolving technical craft of directing for live TV, which included directing diverse groups of actors while remaining mindfully efficient with tight schedules and budgets. These skills would benefit his later work on film. Spiegel comfortably weaves elements of Lumet’s personal life into her narrative, touching on his complex relationship with his father, Baruch, also a theater actor in his day; his four marriages (Gloria Vanderbilt was his second wife); two children; and his expansive network of show business friends. Yet the author shines brightest in her illumination of Lumet’s skills as a director. Beyond offering knowledgeable film summaries, she deftly examines the technical artistry he brought to each project. “Sidney never stopped experimenting,” writes Spiegel. “He was constantly working with new actors, new equipment, new genres, and new techniques. Throughout his career he drew upon his earlier experiences in radio, theater, television, and film to expand beyond his comfort zones and break new ground as both an artist and a citizen.”
A likely definitive exploration of the director’s distinguished career—of great interest to budding filmmakers and film enthusiasts.Pub Date: Dec. 10, 2019
ISBN: 978-1-250-03015-3
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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