by Maureen Fergus ; illustrated by Carey Sookocheff ‧ RELEASE DATE: Aug. 11, 2015
Earl and Buddy know the secret of camaraderie and play it out in fine form. (Picture book. 4-7)
Two creatures find an unlikely friendship when one takes on the role of gagman and the other an unwitting straight man.
It’s raining, and Buddy is bored. Buddy is in the living room, and Buddy isn’t allowed to touch pretty much anything there. Buddy is a dog. The daughter of the house enters with a box containing a ball of sharp quills. The girl leaves. Buddy mooches over to get a closer look. Turns out the ball of quills talks. Call him Earl, says the ball of quills. Buddy asks Earl what he is. Earl suggests a race car. Buddy, though no Einstein, thinks not. Giraffe? No. Talking hairbrush? “Buddy was almost positive that Earl was not a talking hairbrush.” Earl suggests they engage in some no-nos, like jumping on the sofa, then on the coffee table. Buddy’s having too much of a blast to demur. Mom enters. Buddy gets a scolding, but Earl sticks up for him, even though Mom doesn’t appear to hear Earl’s defense of Buddy. Buddy does. And that’s how a dog and a hedgehog become friends in this winning series opener. Fergus’ deadpan text and Sookocheff’s simple, flowing artwork work in elemental harmony, elevating the book to a subliminal sophistication that breathes something quite smart into the proceedings.
Earl and Buddy know the secret of camaraderie and play it out in fine form. (Picture book. 4-7)Pub Date: Aug. 11, 2015
ISBN: 978-1-55498-712-2
Page Count: 32
Publisher: Groundwood
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 15, 2015
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by Maureen Fergus ; illustrated by Carey Sookocheff
by Maureen Fergus ; illustrated by Carey Sookocheff
by Maureen Fergus ; illustrated by Carey Sookocheff
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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