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THE SISTERS K

A deeply intelligent examination of the ties that both define and bind our lives.

A reimagining of The Brothers Karamazov with three Korean American sisters in the titular roles.

Minah, Sarah, and Esther Kim are raised under the shadow of their father Eugene’s extreme cruelty. The eldest, Minah, was born to a different mother than the younger two, but she’s raised alongside them under the insufficient care of their terminally ill mother, Jeonghee, while the girls’ father uses her as a target for his frequent rages. After Jeonghee’s death, Minah distances herself from her family and eventually becomes a successful lawyer who “feel[s] most spiritual" when putting on makeup or new clothes. Minah plans to extend the sensual joy she takes in the world to the experience of having children and is bending her will toward finding a man who will enable these future plans. Sarah, the middle child and her father’s favorite, is brilliant, an Ivy League graduate who finds herself cynically alienated from a society she sees as filled with “suffering and sadism and selfishness.” Alone of the sisters, Esther has drifted out into the world without a plan to govern her future decisions, and yet has managed to keep an essential compassion for humanity, including her increasingly abusive father, even through the deprivations of her wanderings. The sisters lose touch as adults, but they’re brought back into daily contact when Eugene announces not only that he’s dying, but that the Sisters K have a long-lost illegitimate brother whom they must factor into their plans for their eventual inheritance. As the sisters negotiate their philosophical views on pleasure and suffering, rage and shame, duty and freely given love, Sun patiently translates the core values of Dostoevsky’s timeless work into the idioms of late capitalism, where the sisters’ available identities are refracted through the prism of not one but two paternalistic societies—Korean and American. The result is a book that does far more than retell a classic tale: it constructs a whole new vocabulary to discuss the most central of human conundrums: how to love and be loved in return.

A deeply intelligent examination of the ties that both define and bind our lives.

Pub Date: June 11, 2024

ISBN: 9781961884069

Page Count: 393

Publisher: Unnamed Press

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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