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BUMBLE-ARDY

Edgier than Sesame’s original, this contains all the layered meaning that makes Sendak’s books readable over and over....

A master reincarnates his old Sesame Street cartoon with a dark pathos and fascinating manic energy.

As one of the original architects of gleeful mischief and serious woe in modern picture books, Sendak employs both here. “Did you know / That Bumble-Ardy missed / Eight birthdays in a row?” opens the narration, the weeping porcine protagonist placing trotter to forehead. His original family “frowned on fun” and then (being pigs) “got ate,” landing Bumble with adoptive “Adeline, that aunt divine.” Luckily, “Bumble-Ardy had a party when he was nine.” A pleasant, mild illustration shows Adeline in their slatted, open-air house presenting cake and gift, Bumble murmuring “Yippee!” But emotional complexity lurks: Bumble’s eyes are red-rimmed, and nearby animals look gloomy and skeptical. Adeline gone to work, Bumble (permission-less) invites “grubby swine // To come for birthday cake and brine.” Costumes evoke Bread & Puppet and Cinco de Mayo at this rambunctious masquerade ball; partiers revel with sinister gusto. During the multi-spread rumpus, rhyme sneaks onto signs: “Cheers! / Cheers! / Cheers! / May Bumble live 900 years!” When furious Adeline ejects the guests, her face morphs into a horror mask, but then she “Took in her Bumble valentine / And kissed him nine times over nine. // Now, ain’t that fine?” Children and parents both will require many trips through to even begin to accommodate the emotional shifts here.

Edgier than Sesame’s original, this contains all the layered meaning that makes Sendak’s books readable over and over. (Picture book. 4 & up)

Pub Date: Sept. 6, 2011

ISBN: 978-0-06-205198-1

Page Count: 40

Publisher: Michael di Capua/HarperCollins

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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