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BUMBLE-ARDY

Edgier than Sesame’s original, this contains all the layered meaning that makes Sendak’s books readable over and over....

A master reincarnates his old Sesame Street cartoon with a dark pathos and fascinating manic energy.

As one of the original architects of gleeful mischief and serious woe in modern picture books, Sendak employs both here. “Did you know / That Bumble-Ardy missed / Eight birthdays in a row?” opens the narration, the weeping porcine protagonist placing trotter to forehead. His original family “frowned on fun” and then (being pigs) “got ate,” landing Bumble with adoptive “Adeline, that aunt divine.” Luckily, “Bumble-Ardy had a party when he was nine.” A pleasant, mild illustration shows Adeline in their slatted, open-air house presenting cake and gift, Bumble murmuring “Yippee!” But emotional complexity lurks: Bumble’s eyes are red-rimmed, and nearby animals look gloomy and skeptical. Adeline gone to work, Bumble (permission-less) invites “grubby swine // To come for birthday cake and brine.” Costumes evoke Bread & Puppet and Cinco de Mayo at this rambunctious masquerade ball; partiers revel with sinister gusto. During the multi-spread rumpus, rhyme sneaks onto signs: “Cheers! / Cheers! / Cheers! / May Bumble live 900 years!” When furious Adeline ejects the guests, her face morphs into a horror mask, but then she “Took in her Bumble valentine / And kissed him nine times over nine. // Now, ain’t that fine?” Children and parents both will require many trips through to even begin to accommodate the emotional shifts here.

Edgier than Sesame’s original, this contains all the layered meaning that makes Sendak’s books readable over and over. (Picture book. 4 & up)

Pub Date: Sept. 6, 2011

ISBN: 978-0-06-205198-1

Page Count: 40

Publisher: Michael di Capua/HarperCollins

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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THE WILD ROBOT PROTECTS

From the Wild Robot series , Vol. 3

Hugely entertaining, timely, and triumphant.

Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.

When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.

Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)

Pub Date: Sept. 26, 2023

ISBN: 9780316669412

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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